Beautiful, strong, and opinionated, Pednekar is all for breaking stereotypes through her on-screen characters, and the actor's off-screen journey has been just as interesting. Six years and 12 films later, the actor has multiple awards to her name and more than a few impactful performances on her list-from her role in Zoya Akhtar’s segment of Lust Stories to Tushar Hiranandani’s Saand Ki Aankh. Her performance in her unconventional debut gained her accolades across the board, and sealed her spot among the film industry's rising stars. It is not really a triangular love story as it is a film about sibling rivalry, which may not be portrayed in the best way, but is still an interesting one to watch, particularly for those who enjoy watching Hindi films.2015's critically-acclaimed film Dum Laga Ke Haisha threw Bhumi Pednekar-previously an assistant director-into the spotlight. In conclusion, Aaina is worth watching even though it's very far from being flawless and is quite faulty at times. Singh is suitably confident, attractive and assertive in this role. That said, I'd disagree with anyone who'd call her role villainous, because these are negative shades which probably everyone has, and she is also ambitious and total. Roma is egoistic, domineering, self-indulgent, manipulative, competitive, and she cannot even think of admitting failure. She just has this ability to command the audience's attention in every turn, and that's why this actually works well with the kind of character she plays. I have seen several movies with Singh in it, and there hasn't been even one in which I did not like her. But without a doubt, this film belongs to Amrita Singh, who is wonderful and convincing in a negative role. Her fragility looks very natural and so does her character's gradual transformation. I actually like her more either in comedy or in roles of smart and sophisticated women, but this one definitely works. 1993 was Juhi Chawla's year with such films as Hum Hain Rahi Pyar Ke in which she delivered an excellent comic performance, and Darr, for which many still remember her as that highly-desired "K-k-k-kiran". Jackie Shroff is good in a role which actually is not much of a challenge. The film's songs, composed by Dilip and Samir Sen, are quite nice, my favourite being "Meri Sanson Mein Tum". The film has some unexpected twists, some of which are ridiculous (like the guy marrying the younger sister when the elder disappears), while the others are pleasant (like the last scenes). Not always does it work, being often hard to believe and hopelessly predictable, but I still found it to be almost throughly enjoyable. This film is actually trying to convey something. I would say Aaina thankfully does not fit into either category it's quite different and is rather light in mood despite the many attempts at intense storytelling and over-romanticism. The style is very 1990s Hindi cinema, but I mean it mostly in a good way because there was something very naive about Hindi films at that time, although most of them (I'm referring to the commercial films) were either crude action films or over-the-top melodramas. It of course has more than one plot hole, but then that's something I expected. The film's story is very interesting, and the film itself is also handled pretty well for the most part. Deepak Sareen's Aaina is an effective film about sibling rivalry even if doesn't always ring true.
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